{"title":"All","description":"","products":[{"product_id":"formations-magazine","title":"FORMATIONS (MAGAZINE)","description":"\u003cp\u003eIssue #1\u003c\/p\u003e","brand":"Formations","offers":[{"title":"Default Title","offer_id":49825370636528,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/5FFFFC22-1188-4276-9493-7E6BEC6B3B57.jpg?v=1782597609"},{"product_id":"best-dutch-book-designs-2024","title":"BEST DUTCH BOOK DESIGNS 2024","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"part-single-product wrapper\"\u003e\n\u003cdiv class=\"right wrapper\"\u003e\n\u003cdiv class=\"block block-text\"\u003e\n\u003cp\u003eEvery year,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Best Dutch Book Designs\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ecelebrates the best products of the graphic industry in the Netherlands: 30 books set apart by the combination of great design and commissioning with high-quality lithography, printing, and bindings. The catalogue is designed by Jeremy Jansen, the photography is done by Justina Nekrašaitė. Alongside an introduction discussing developments and trends from the past year, the catalogue contains an ode to the book written by biologist Auke-Florian Hiemstra, and an interview with Herman van Waarden, this year’s laureate of The Capital.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Mountain","offers":[{"title":"Default Title","offer_id":49825370898672,"sku":"9789083173856","price":49.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_e9ee73ef-de37-488b-a3cb-88ce420b0bba.jpg?v=1789863794"},{"product_id":"cycladic-blues","title":"CYCLADIC BLUES","description":"\u003cp\u003e\u003cspan\u003eThis cahier is a visual sketchbook for an exhibition by Marlene Dumas at the Museum of Cycladic Art in Athens, in dialogue with the museum's collection. Although the exhibition has been postponed towards 2025, this anticipatory publication already arose from Dumas' enthusiasm and affection for this combination. The enigmatic Cycladic antiquities, dating from 3000-2000 BC, speak to us in the same timeless language as Dumas' contemporary works.\u003c\/span\u003e\u003c\/p\u003e","brand":"ROMA Publications","offers":[{"title":"Default Title","offer_id":49825371390192,"sku":"9789464460339","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/D34BD564-4B10-4D44-94F2-8B2122A192DD.jpg?v=1788380169"},{"product_id":"elephant-in-the-room","title":"ELEPHANT IN THE ROOM","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eElephant in the Room\u003c\/em\u003e presents a world suspended between two realities. Bharat Sikka engages in a critical and experimental dialogue with AI, situating his photographic practice within the evolving terrain of machine perception and interpretation. Rooted in the complexity of today’s India, the project draws from a personal archive spanning over three decades of engagement with its layered identities, contradictions, and transformations. AI becomes both mirror and mediator, an external consciousness that intelligently reflects and uncannily distorts Sikka’s world – a fragmented yet immersive portrait of India, where technology absorbs, misreads, and reconstitutes cultural memory.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fw:Books","offers":[{"title":"Default Title","offer_id":49825371521264,"sku":"9789083519791","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/78BBE105-1526-405D-BB18-0DD3BAD4D20D.jpg?v=1782001053"},{"product_id":"encyclopedia","title":"ENCYCLOPEDIA OF THE UNCERTAIN","description":"\u003cdiv class=\"contentBoxTop singleProductSlider\"\u003e\n\u003cdiv class=\"flexslider\"\u003e\n\u003cdiv class=\"flex-viewport\"\u003e\n\u003cul class=\"slides\"\u003e\n\u003cli class=\"clone\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/DSCF3968.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/DSCF3965.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"eager\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"flex-active-slide\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_03.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_06.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_X01.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_07.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_08.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_09.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_C5.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_11.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_13.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_14.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_C7.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_16.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_17.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/TEC114_19.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cimg class=\"ls-is-cached lazyloaded\" itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/DSCF3968.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"lazy\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003cli class=\"clone\"\u003e\u003cimg itemprop=\"image\" src=\"https:\/\/www.eriskayconnection.com\/wp-content\/uploads\/2024\/03\/DSCF3965.webp\" alt=\"Encyclopedia of the Uncertain - The Eriskay Connection\" loading=\"eager\" draggable=\"false\"\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul class=\"flex-direction-nav\"\u003e\n\u003cli class=\"flex-nav-prev\"\u003e\u003ca class=\"flex-prev\" href=\"https:\/\/www.eriskayconnection.com\/encyclopedia-of-the-uncertain\/#\" tabindex=\"-1\"\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003cli class=\"flex-nav-next\"\u003e\u003ca class=\"flex-next\" href=\"https:\/\/www.eriskayconnection.com\/encyclopedia-of-the-uncertain\/#\" tabindex=\"-1\"\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"contentBoxTop singleProductSpecsTablet\"\u003e\n\u003cp\u003eTexts (editing):\u003cbr\u003eAnna Püschel\u003c\/p\u003e\n\u003cp\u003eImages (editing):\u003cbr\u003eAnna Püschel\u003cbr\u003eCarel Fransen\u003c\/p\u003e\n\u003cp\u003eDesign:\u003cbr\u003eCarel Fransen\u003c\/p\u003e\n\u003cp\u003ePrint and binding:\u003cbr\u003eWilco Art Books (NL)\u003c\/p\u003e\n\u003cp\u003eSupported by:\u003cbr\u003eFlanders Department for Culture, Youth and Media\u003cbr\u003eLUCA School of Arts\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"contentBox singleProductAbout\"\u003e\n\u003cp\u003eWhen do you know something? And at which point can you be sure that what you know is true?\u003c\/p\u003e\n\u003cp\u003eKnowledge of facts is distinct from opinion or speculative assumption. We rely on various sources to determine the validity of information and separate fact from fiction.\u003c\/p\u003e\n\u003cp\u003eFascinated by awareness and ignorance, Anna Püschel began collecting definitions of words related to knowledge from a broad range of sources, from medieval texts to modern dictionaries. These definitions – some objectively true, others with questionable veracity – are brought together in the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEncyclopedia of the Uncertain\u003c\/em\u003e, a work that redefines referencing, and boldly juxtaposes French poetry to conspiracy theories, recipes, and political essays. But regardless of their origin, the definitions show that we have always yearned for the truth.\u003c\/p\u003e\n\u003cp\u003eWhat does this mean for us today? Between post-truth and alternative facts, we observe an absurd phenomenon: we can access knowledge faster and easier than ever before, but the number of alternative versions of the same truth it is accompanied by is also unprecedented. From YouTube algorithms to Telegram channels, from Facebook comments to ChatGPT-generated texts, finding truth is getting harder every day.\u003c\/p\u003e\n\u003cp\u003eAs individuals in uncertain times, we not only have the right but also the duty to look for truth, and not blindly follow the loudest voices that (un)knowingly propagate falsities. Instead, we must acknowledge what we do not know and listen to nuance, for there is beauty in uncertainty.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":49825371554032,"sku":"9789083357126","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/DSCF3965.webp?v=1788387915"},{"product_id":"floating-signifiers","title":"FLOATING SIGNIFIERS","description":"\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePanta Rhei\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"s2\"\u003e is an old philosophical saying by Heraclitus that can be interpreted as “all that is observable flows continuously.” In the spirit of this reflection, Daan Paans (NL) attempts with \u003c\/span\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eFloating Signifiers\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"s2\"\u003e to provide insight into the constant transformation that things and phenomena undergo under the influence of a complex set of factors. In a broader sense, he investigates how changeability is expressed in the visual culture of the past, present, and future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eOver the past ten years, Paans has analysed the genesis of a wide range of subjects that come together in this publication. This has resulted in case studies ranging from the extinct aurochs to the pre-human paradise, the future life of an oak tree, meteorites from sci-fi films, variations of the lion man, and the Golden Idol of Indiana Jones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003eThese case studies show how primal archetypes continue to shape our contemporary (visual) culture in their ‘transmuted’ forms. With the ambiguous nature of his work, Paans aims to point to our deeply cherished bond with ‘ecology’, but also to offer the insight that this ecology is subject to an evolutionary process of transformation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s2\"\u003ePaans’ research methodology relies heavily on the photographic medium, but in its development he usually expresses himself in the form of multimedia installations in which he uses video, 3D renderings, sculptures and documentary archive material – depending on the nature and meaning of his choice of subject.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eFloating Signifiers\u003c\/span\u003e\u003c\/em\u003e\u003cspan class=\"s2\"\u003e is a rich, comprehensive book, in which Paans has translated his philosophical reflections on the imaginary nature of time and space into a meaningful form. In the complementary essay, Nicky Heijmen investigates how the original meanings of cultural objects can change and what the impact of this is on a broader social level.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"s2\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Eriskay Connection","offers":[{"title":"Default Title","offer_id":49825371717872,"sku":"9789493363168","price":56.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/B4A95F4E-1CF9-450E-9F16-BDE0F0189C18.jpg?v=1785021118"},{"product_id":"heap-o-livin","title":"HEAP-O-LIVIN’","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eHeap-O-Livin'\u003c\/em\u003e features a selection of images by Wyoming photographer and diarist Lora Webb Nichols (1883–1962). Nichols created and collected approximately 24,000 negatives and 65 years of diaries throughout her lifetime in the town of Encampment. In addition to the industrial and economic aspects of this sparsely populated ranching and copper mining town, Lora’s images and diaries documented the lives of the girls and women within private households. Despite the inherent isolation created by geography, the long brutal winters, and the patriarchal ideology that undervalued the role of women in Encampment in the late 19th and early 20th century, a robust female-led community emerged that provided a network of spiritual and emotional support. This was cultivated through the habitual visitations of immediate and extended family and friends into each other’s homes during their transition from children to wives and mothers. In Nichols’ sphere, these visitations often involved the act of picture-making.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fw:Books","offers":[{"title":"Default Title","offer_id":49825371881712,"sku":"9789083451091","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/1B15A431-345A-4E7B-86B1-2F6AC965DBE0.jpg?v=1784935808"},{"product_id":"how-to-remember-your-dreams","title":"HOW TO REMEMBER YOUR DREAMS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe book offers a sharp and imaginative reflection on the interweaving of personal and national or ideological dreams. Its chapters explore the fictions and facts constructed within both realms, and how one navigates a path through them - guided by a multitude of philosophers, thinkers, and ideas (from Sartre to Žižek, Abdel Nasser to Ibn Taymiyya, among others) that shape the author’s life, studies, and aspirations.\u003c\/span\u003e\u003c\/p\u003e","brand":"Kayfa Ta","offers":[{"title":"Default Title","offer_id":49825372111088,"sku":"9781955702041","price":11.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/AE49765A-12C8-4035-BCCE-0FFED957D562.jpg?v=1784411407"},{"product_id":"les-oiseaux","title":"LES OISEAUX","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhen the attic of Notre-Dame de Paris caught fire – a lattice of ancient wooden beams known as “the forest” – Lola Raban-Oliva and Jean René Etienne were at home, just two kilometres away. Each had their own camera and zoom lens. From their window, it became almost possible to imagine the perspective of birds. It was no longer Notre-Dame burning, nor even a cathedral. Not a fire, but a vast disruption of the aerial space. A thick, blazing, chaotic convective column rose above the heart of Paris. ‘Les Oiseaux’ brings together 97 screenshots taken from the footage they captured that evening.\u003c\/span\u003e\u003c\/p\u003e","brand":"RVB","offers":[{"title":"Default Title","offer_id":49825372176624,"sku":"9782492175626","price":39.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/AE4E8BCB-B992-4548-8201-EEE0DA31FDF3.jpg?v=1788037915"},{"product_id":"memorials","title":"MEMORIALS","description":"","brand":"ROMA Publications","offers":[{"title":"Default Title","offer_id":49825372340464,"sku":"9789464460957","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/A68D4C50-F43E-4796-A991-14B861F59130.jpg?v=1781842292"},{"product_id":"metaphonics-the-field-works-liste","title":"METAPHONICS - THE FIELD WORKS LISTE","description":"","brand":"The Mountain","offers":[{"title":"Default Title","offer_id":49825372373232,"sku":"9789492852021","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_228ef4ac-ee0c-4b7e-b809-f2d4a4a4ee60.jpg?v=1784418490"},{"product_id":"moving-pictures-painted","title":"MOVING PICTURES PAINTED: 200 Posters From the Golden Age of Egyptian Cinema","description":"\u003cp\u003e\u003cspan\u003eAs Egypt honed its distinctive style of movie-making in the early 20th century, an alchemy of cultural specificities and legal idiosyncrasies saw the development of a parallel craft that took on a life of its own: film posters. Made largely with stone litho printing and conceived by illustrators who worked independently from the production studios, Egyptian cinema’s poster culture generated an ecosystem of creativity that rivaled the movies themselves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eVariously melodramatic and minimalist, reflecting eras of liberation and conservatism alike, the posters were displayed on billboards in thrumming metropolises like Cairo and Alexandria during their heyday, as well as on a smaller scale outside local theatres. Showcasing established film stars and catapulting new faces to fame, the posters allowed Egyptian artists and illustrators to absorb an international scene while cementing their own visual languages. Joining a global conversation yet remaining unmistakably Egyptian in sensibility and aesthetic, posters from the industry’s golden age acted as a weathervane for the country’s mood and culture. 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In her tiny studio, she produced and accumulated a considerable body of work, much of which has remained unseen and unpublished until now. Her interests ranged from geometric and abstract studies, drawn from observations of people on the street, to pieces that transformed language into graphic, abstract “verbal forms.” Incorporating strategies of chance and the abstraction of everyday form through repetition and seriality, Bettina pushed the photographic medium to and beyond its limits. As Robert Blackburn, artist and founder of the Printmaking Workshop, astutely observed of Bettina’s work: “The photography, film, sculpture are as one, for the photographic medium is employed not only for documentation but as an endless source of inspiration from which other disciplines emerge—and merge.”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":49825374896368,"sku":"9781597115421","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_802633ef-7582-4186-9f80-e151c8788e38.jpg?v=1789863267"},{"product_id":"collapsed-mythologies","title":"COLLAPSED MYTHOLOGIES","description":"\u003cp class=\"redstrong\"\u003e\u003cstrong\u003eDecoding etymologies of financial jargon both real and imagined\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis book examines slang terms used by traders and other financial profes­sionals, transporting us to a landscape both real and ­supernatural. 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Riverola's dreamy images, soaked in atmosphere, evoke feelings of distance and travel: from neon-lit rainy Japanese nights, a Mediterranean breeze lifting a Spanish tablecloth, or Italian drizzle softly falling beneath an umbrella in a Roman garden.\u003c\/p\u003e","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":49825377714416,"sku":"9781912719570","price":63.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_8b05d481-5e71-44fa-a773-16a014e2e506.jpg?v=1785022149"},{"product_id":"rude-in-the-good-way","title":"RUDE IN THE GOOD WAY","description":"","brand":"Loose Joints","offers":[{"title":"Default Title","offer_id":49825377779952,"sku":"9781912710723","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_50dfb079-26d1-4861-8fe8-a7caf7cf175e.jpg?v=1785022981"},{"product_id":"the-axe-will-survive-the-master","title":"THE AXE WILL SURVIVE THE MASTER","description":"\u003cp\u003e\u003cem\u003e\u003cspan lang=\"EN-GB\"\u003eThe Axe Will Survive the Master\u003c\/span\u003e\u003c\/em\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eis an oblique record of life on a faltering planet. Created over twelve years and across continents, Matthew Connors’s photographs trace the contours of an era shaped by confrontations with authoritarian power. From the Arab Spring to the Russian invasion of Ukraine, Connors traverses scenes of global upheaval marked by disintegrating social contracts, political violence, and the lingering reverberations of the Cold War.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eBringing together photographs made between 2013 and 2025, this volume concludes a trilogy – following \u003c\/span\u003e\u003cem\u003e\u003cspan lang=\"EN-GB\"\u003eGeneral Assembly\u003c\/span\u003e\u003c\/em\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cspan\u003e \u003c\/span\u003e(2013) and\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan lang=\"EN-GB\"\u003eFire in Cairo\u003c\/span\u003e\u003c\/em\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e(2015) – meditating on power, resistance, and the fragile fate of democratic ideals. 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Through the power of close observation, Weitzman captures the world at a slant where naked bodies form sultry architecture and everyday clutter assembles into fine art. Complimented by a Louis Fratino dust jacket of half-etched figures and mysterious symbols, the book’s sequence is intimate and playful while never spelling itself out.\u003cem\u003eParticipation\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the product of the photographer fully embedding in his circumstances and locating with an exacting compositional eye where the goofiness and boredom of everyday life drift into formal complexity and undefinable emotional states. The title is an invitation as much as it is a challenge, not only descriptive of Weitzman’s willingness to get in and meet his subjects head, waist, or side-on but for the viewer to crane their neck and pick apart his gorgeously twisted poetry of the strange ways people come together.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"shopify-section-template--16999251804269__product_recommendations_8RVdzU\" class=\"shopify-section\"\u003e\u003c\/div\u003e","brand":"Magic Hour Press","offers":[{"title":"Default Title","offer_id":49825378337008,"sku":"9798886270204","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/rn-image_picker_lib_temp_58737668-3b5f-4240-aed1-fb74220f346b.jpg?v=1785021278"},{"product_id":"5-year-diary-black","title":"5 YEAR DIARY (BLACK)","description":"\u003chr class=\"above-desc\"\u003e\n\u003cdiv class=\"book-content\"\u003e\n\u003cdiv class=\"book-description textNormal\"\u003e\n\u003cp class=\"textNormal\"\u003eThe stylish, pint-sized \u003cem\u003e5 Year Diary\u003c\/em\u003e lets you keep track of the next 60 months of your life in just a few lines a day. Each page is dated and divided into five sections, and the diary can be started on any day of any year—even a leap year. As time goes by, past entries can be read as new ones are written. 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Transcendental in mood, Slack’s vaguely sci-fi photographs envision a sun-blasted wilderness of synthetic and organic stuff, all tangled together, flourishing and disintegrating on its own terms, as if engaged in an ageless negotiation (or flirtation?) just beyond our grasp. Where does nature end and its opposite begin? And where do people figure into this balance? Made primarily around the American southwest from 2011 to 2017, these vivid compositions — like a series of thought-bubbles in search of a narrative — are concise and direct, yet driven by an emotional ambivalence that hovers between stark environmental dread and calm intimate reverie.\u003c\/p\u003e","brand":"The Ice Plant","offers":[{"title":"Default Title","offer_id":49825379254512,"sku":null,"price":42.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0840\/3714\/0720\/files\/214A65DC-550E-4247-B6A8-80A85D2E49D6.jpg?v=1782594775"},{"product_id":"walking-in-place-3-tokyo","title":"WALKING IN PLACE 3: TOKYO","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cstrong\u003e\u003ci\u003eWalking in Place 3: Tokyo\u003c\/i\u003e\u003c\/strong\u003e extends the path of Mike Slack’s previous two volumes (on New Orleans and Berlin, both newly republished) into the gently sunlit corners and cul-de-sacs of Japan’s largest city — an incomprehensibly vast megalopolis teeming with unexpected zones of quietude, sensuality, and humor. Along Slack’s seemingly aimless trajectory we detect transcendental order within the flux of a chaotic megacity. Calm amidst density, the relief of nothingness in an endless sea of things. Our gaze tilts upward to survey vast architectures; spans outward to note unlikely curvatures, stairwells, and domestically scaled structures; hones downward at oblique tile-work, odd human flourishes, cats, shadowplay, the fine grain of the city. In this playful yet exacting sequence, Tokyo folds in on itself to reflect its curious, utterly unique ambience. The underpinnings of Metabolism – the mid-century Japanese avant-garde movement – seem relevant here: the way Slack renders it, the city is an organism in constant flow, decay, and renewal; where the jewels of perception and life can reveal themselves, if only we can free the mind’s eye to amplify — and simplify — the world. 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